Recent & Upcoming
My first year at Acadia University as Dean of Libraries and Archives wrapped up with me presenting at the University of Chicago in Paris' Fandom After #MeToo/#BalanceTonPorc symposium in July 2022. My paper, “Get Ready to Get Cancelled, Mistah: Valuing and Supplementing Criticism Lite,” included an overview of Acadia's sexual assault awareness programming that I spearheaded, including my hybrid presentation last April on artist Emma Sulkowicz. In April 2023, this year's group hosted Sex and the Campus, a trivia night I got started to encourage medialiteracy. Also at Acadia, at a future point (date TBD), I will be presenting “Disgustingly Incomplete: How General Idea's Representation of 'Nova de Scotia' in FILE Megazine Complicated Art World Knowledge Gaps” as part of the BAC Talk series.
Although I am now working outside of art librarianship, I continue to engage with this niche profession. I am the new Atlantic Canada regional representative for the Art Libraries Society of North America (ARLIS/NA) and I have joined the committee for the Wolfgang M. Freitag Internship Award as well as the committee proposing parameters for Compass, a diversity-themed intership. I moderated a panel on accessibility at the national conference in April 2022 and participated in a panel in advance on best practices in moderating. Recent book reviews include Gawkers: Art and Audience in Late Nineteenth-Century France by Bridget Alsdorf in ARLIS/NA Book Reviews and my peer-reviewed review of Provenance Research Today: Principles, Practice, Problems, edited by Arthur Tompkins, in the journal, Curator. My chapter, “Artist in Protest: An Apologia of Ten Years of Academic Blogging,” will be published shortly in Art at the Intersection of Librarianship and Social Justice (Litwin Books).



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